From this point of view, the concept of cinema-eye put forward by Dziga Vertov as one of the most important crystallizations of this view, is analyzed and re-examined. The present study, conducted in a descriptive-analytical Method using library resources, seeks to explore the emergence of cinema technology in relation to this historical turn, and in the relationship created between bodies and technologies in cinema. Emerging concepts such as "technological perception" and "machine aesthetics" can be mentioned during this period. Modern machine-technological culture transformed the traditional understanding of the human body and its perceptual and physical capacities, created a kind of interplay between the body and technology, and blurred the boundaries between the organic and the technological. In the late nineteenth and early twentieth centuries, human life was intertwined with machines and technologies in the modern metropolis due to technological advances and changes brought about by industrialization processes.
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